painted Village near Kielce in 1870  Related Paintings of Jozef Szermentowski :. | Fishermen | seglaren | Still life floral, all kinds of reality flowers oil painting 241 | The nude female is reading | Arab or Arabic people and life. Orientalism oil paintings 65 |
Related Artists:
Ferdinand bol
Dutch Baroque Era Painter, 1616-1680 Dutch painter and draughtsman. He was a pupil and prominent follower of Rembrandt in Amsterdam. His reputation and fame are based on his history paintings, which, though successful at the time,
Adam Albrecht
1786-1862, was a German painter of battles and horses. Born in Nordlingen, he began an apprenticeship as a confectioner and went in 1803 to Nuremberg to begin his training. However, influenced by the director of the Academy of Fine Arts of Nuremberg and later by Johann Rugendas, he turned towards painting - mainly battlefields and horses. After participating in the Austrian campaign of 1809, he stayed for a time in Vienna, where he drew the attention of Napoleon's stepson Eug??ne de Beauharnais and was appointed his court painter. Most of Adam's subsequent works deal with Napoleon's Russian campaign, in which he participated under de Beauharnais. Among other works, he painted a diary of the campaign in 83 scenes. In 1815, Adam moved to Munich, where he was occupied by the emperors and kings of Bavaria and Austria. His studio in Munich was frequently visited by Theodor Horschelt, who later became well known for his paintings of Russian Caucasian War. He worked until a great age, recording battles and portraying horses, even though in his late works he was supported by the help of his sons, Benno, Eugen and Franz. He died in Munich.
James Baker Pyne
English Painter, 1800-1870 He was articled to a Bristol attorney, but around 1821 he took up painting and exhibited at the Bristol Gallery of Arts in 1824. Apparently self-taught, he worked closely with the Bristol artist Samuel Jackson (1794-1869) for a time and was influenced by the poetic landscapes of Francis Danby. In 1835 he moved to London and exhibited at the Royal Academy the following year. He showed seven pictures there altogether, but he also exhibited at the British Institution and showed 206 works at the Society of British Artists. Although technically accomplished, Pyne's work is curiously lacking in distinction. He imitated many artists but never found a style of his own. His early views of Bristol are among his best work, a good example being View of the Avon from Durdham Down (1829; Bristol, Mus. & A.G.). He also painted some lively coast scenes such as Whitby (Leicester, Mus. & A.G.). He was less successful when emulating J. M. W. Turner.